The Ghanaian Minaret

Accra: Dr Mohammed Ben Abdallah, a Muslim, renowned playwright and luminary in theatre arts, has died on Thursday at the age of 81.

He was a former education minister who happened to be the father of Akosua Abdallah, a veteran Ghanaian actress known for her detective role in the “Inspector Bediako” series.

It was during his tenure as minister of state that the Islamic Education Unit was established.

He was also instrumental in putting up the National Theatre and the Kwame Nkrumah Mausoleum.

It was in that regard that the National Theatre in December 2023 honoured Dr Abdallah for his contributions to theatre arts.

In the world of theatre arts, where creativity meets cultural expression, Dr Mohammed Ben-Abdallah stands as a luminary, leaving an indelible mark on the Ghanaian and global stage.

Born on April 25, 1944, in Kumasi, Dr Ben-Abdallah’s journey has been one of profound scholarship, artistic brilliance, and transformative leadership.

His academic journey started with a Teacher’s Certificate ‘A’ at Wesley College in 1966, paving the way for his subsequent educational triumphs.

He earned a Certificate in Drama and Theatre Studies in 1970 and a Diploma in Drama and Theatre Studies in 1972 from the University of Ghana, Legon.

His pursuit of excellence took him to the University of Georgia, Athens, where he earned his masters in fine art (MFA) in theatre arts in 1976 and later a doctorate in theatre arts in 1980 from the University of Texas at Austin.

In 1983, Dr Ben-Abdallah birthed the revolutionary concept of Abibigromma, a fusion of African performance traditions aimed at evolving a distinctly African theatrical form.

This visionary concept laid the groundwork for the establishment of Abibigromma, a professional resident theatre company at the University of Ghana’s School of Performing Arts.

Dr Ben-Abdallah’s artistic brilliance is evident in the major dramatic productions that have graced the stage under his directorial guidance.

Examples of his groundbreaking works included “The Trial of Mallam Ilya” (1982-1983), “Verdict of the Cobra” (1984-present), and “The Slaves” (1984-1985).

These productions, which explored themes from the dungeons of Elmina Castle to the Sahelian folktale in Mopti, have not only captivated audiences but have also become a cornerstone of Abibigromma’s repertoire.

Beyond the stage, Dr Ben-Abdallah has played a pivotal role in shaping cultural and educational landscapes in Ghana.

His tenure as PNDC Secretary (Minister) for Education and Culture witnessed the implementation of the National Education Reform Programme, aimed at expanding access to education, increasing relevance, enhancing quality, and ensuring cost-effectiveness.

As Chairman of the National Commission on Culture, he spearheaded the establishment of the commission from scratch, played a crucial role in the construction of the National Theatre of Ghana, and orchestrated the establishment of cultural landmarks such as the DuBois Memorial Centre for Pan-African Culture and the Kwame Nkrumah Memorial Park.

Dr Ben-Abdallah’s influence reaches far beyond the borders of Ghana.

As a visiting professor at the University of Texas at Austin and an associate professor in the Department of Theatre and Dance, his teachings resonated with students seeking insights into Afro-American theatre, playwriting, and theatre management.

His fellowship at the Salzburg Seminar on Leadership and the Fulbright Scholar in Residence experience at California State University at Dominguez Hills are testaments to his global impact.

In addition to his theatrical accomplishments, Dr Ben-Abdallah has made significant contributions to academic discourse.

His publications, including “The Trial of Mallam Ilya and Other Plays” (1987) and “Land of A Million Magicians” (1993), offer a rich tapestry of his intellectual prowess.

Prior to his demise, Dr Mohammed Ben-Abdallah continued to impart his wisdom as the acting Head of the Theatre Arts Department at the University of Ghana, Legon, and as Chairman of the Executive Committee of the PANAFEST Foundation.

His dedication to the arts, education, and cultural heritage marks him not only as a maestro in theatre arts but also as a catalyst for societal transformation.

In celebrating the life and achievements of Dr Ben-Abdallah, he was honoured not just as a man but as a cultural icon whose contributions have elevated Ghana’s cultural heritage onto the global stage.

His journey was a testament to the power of art, education, and unwavering commitment to shaping a future where the richness of African traditions was celebrated and embraced by all.

He was married Akosua Amponsah, a queen mother and veteran actress and together they had four children.